Pederson's Playlist: My Top Films of 2024 and the Ones that I Slept Through
- Josh Pederson
- Jan 2, 2025
- 9 min read
Well, it's that time again. Christmas is over, our bank accounts are hurting, and we're limping away from all of the mental, emotional, and spiritual wounds left by 2024. Personally, it feels like I've been run through a metaphorical cheese grader, but then again, when you're thirty-six and have five kids, what exactly is stability? Sanity is overrated . . . or something like that. I even had time to watch some movies this year. It's been a few years since I've put one of these "end of year" lists together, but here it is. Who needs to watch prestigious and legitimate award ceremonies like the Academy Awards or BAFTA, when you can read some thoughts by a rapidly approaching middle age male, who hasn't had a rational thought since his twenties?

14) The Beekeeper
When you watch a Jason Statham movie, it's pretty obvious what you're getting yourself into, before you even start it. Jason Statham, as far back as I can remember, has always played only one character, Jason Statham. Don't get me wrong, I love Jason Statham movies. Lock, Stock, and Two Smoking Barrels, Snatch, The Transporter, all great movies in their own right, but he only ever plays slight variations of himself. The Beekeeper was a movie I watched out of pure curiosity and the fact that it was free on Amazon Prime. You know what they say . . . when the wife goes to sleep, the husband will watch movies that she's not interested in. I was expecting something along the lines of The Fast and the Furious Meets the The Transporter. What I got instead was Crank 2 merged with the The Mechanic, minus the scenes with the giant heads and the main character electrocuting himself. Sorry, I guess I'm avoiding telling you whether or not to watch this movie. I decline to comment. It's definitely a movie. Is it one worth watching? I'm still trying to figure that one out.

13) Rebel Moon Part 2: The Scargiver
So this one was something. I don't like to speak harshly of movies, but this film has its head stuck so far up its own butt, I honestly don't think it knows exactly what kind of story it wants to tell, because it can't see what's happening. Don't get me wrong, I love Zack Snyder. I am a diehard fan of his work on the various DC properties he's made movies out of. I also love the movie Sucker Punch (it took me fifteen years to love it, but I still think it's an amazing film). When I first heard about the Rebel Moon universe being created for Netflix, I got really excited. We don't get a lot of science-fiction movies anymore that aren't pushing an agenda of some kind. If these movies are pushing an agenda, I don't think Zack Snyder even knows what it is. Granted, to storytellers, especially lore heavy ones like Snyder, the vision in their head makes a lot more sense to them than what people are seeing on the screen. I haven't watched the director cuts yet, so it's possible they will make everything make sense, but I don't understand anything about what's going on so far in this series. I want to like it, but I can't even pinpoint what I dislike about it. It's all just motion and space Nazis.

12) Ghostbusters: Frozen Empire
First of all, let's give credit where credit is due. Ghostbusters: Frozen Empire is on so many levels better than 2016's Ghostbusters reboot by Paul Feig. While not as good as Ghostbusters: Afterlife, I didn't dislike this one as much as everybody else. Was it a great film? Not really. Was it an entertaining film? I think it definitely checked all of those boxes. Where 2016's Ghostbusters had a great cast, it was a very poorly written film. Ghostbusters: Frozen Empire also had a great cast, but the story was just okay. Much like Ghostbusters II asked what New York looked like in the aftermath of the first film, it was more of a continuation than a story. I think Ghostbusters: Frozen Empire was fighting the same battle. It wasn't so much a sequel as it was a continuation of the story being told in Ghostbusters: Afterlife, with the Spengler family taking up the sacred mantle and the trouble that unfolded in the process. Give it a watch. You might like it.

11) Godzilla x Kong: The New Empire
When Gareth Edwards's Godzilla reboot released in 2014, it was much more than the average monster flick. Yes, it told a story about a giant monster, but it told a story about broken humans, as well. This is a story that manifested itself in the form the familial bond and tragedies of characters played by Aaron Taylor-Johnson, Elizabeth Olsen, and Bryan Cranston. It also kickstarted the Warner Bros monster-verse that is still alive and kicking ten years later. Unfortunately, these movies, especially the latest one Godzilla x Kong: The New Empire, has lost what made 2014's Godzilla so special. The human aspect of these movies are gone. All that exists now are monsters beating each other to a pulp. Also . . . I fell asleep about half way through this one. Do with that information what you will.

10) The Ministry of Ungentlemanly Warfare
If you've read any of the other pieces that I've written, you probably know that I'm a big fan of Guy Ritchie movies. The way that he writes his characters, edits his films, and tells his stories are far superior to many other filmmakers, in my humble opinion. That being said, The Ministry of Ungentlemanly Warfare was a mid-tier movie at best. While it definitely had Ritchie's signature editing, color pallets, etc., I think the fact that it was more or less bound the to shackles of "historical accuracy" sort of kept it in the realm of being a good movie as opposed to a great movie. My wife fell asleep during this one, so I never really got a chance to process it with another human. Again, it wasn't bad, but after another viewing, I might like it more.

9) The Best Christmas Pageant Ever
Full disclosure, I probably would never have watched this one if I wasn't a chaperone on a field trip to see it. That being said, I am very glad I watched it. Not only was it relatable, but it didn't shove any religious messaging down your throat, despite being made by a Christian director. Not that religious messaging is bad, but many of the Christian studios out there are more about the messaging than the storytelling. If you're doing it correctly, the two should weave together organically, without one overpowering the other. Anyways, this is a movie I wouldn't mind watching again. It had a good message, it was relatable, and perfect for a movie night with the kids.

8) Dune: Part Two
I wanted to love this movie . . . but I didn't. That's not to say I didn't like it. The world is just incredibly dark, and there's not as much to enjoy in the world, as there was in how the world was brought to life. I'm a huge fan of Dennis Villeneuve. Blade Runner 2049 is one of the best films of the past twenty years. I think that nobody could have done this movie, except for him. Everything from the colors to the sound and editing was performed by a true master of their craft. I'm not sure what's happening next with this franchise, but if Dennis Villeneuve isn't part of it, chances are it won't be the same.


Comments